3x3 Annual No.11

Yay, the new 3x3 annual is finally out! It is now available as a printed book and as a pdf, and will soon be released as an iPad app, as well.

My illustration (above) got an honorable mention —it is from No Crocodiles in Town.  To see all the winning illustrations online, go to 3x3 then click on the Online Annual No.11 button. It includes work for the Picture Book Show, as well as the Professional Show and the Student/Newcomer entries.  So many fantastic illustrators from all over the world!

PS. Here are some interesting places to click—
Russian books for children
Valerio Vidali has refreshed his website
Annika Oyrabo

Change of season

Summer officially ended a few days ago, and I for one am glad to see it go.  There is only so much sweltering and sweating I can stand. Hello autumn, my favorite season! Doesn't it always feels like a new year starts with the autumnal equinox?

But still, I'll be sad to see the end of jacaranda season. In the part of southern California that I find myself in, the streets are lined with jacaranda trees which bloom with glorious purple blossoms from April to September-ish. And over the last few months I've photographing them...

On my street. 

This is on Hollywood Boulevard. A different kind of glamour!

Fallen blossoms on the grass.

The fallen blossoms have been my playthings over the summer months, too —

And with that, I am ready to dive into autumn— bring on the woolens and the pumpkin pie! I'm buckling down for new work, so stay tuned!

PS. Speaking of playthings, have you seen stop-watch? Tineke Meirink has a very playful eye!

Recharging my batteries

In the summertime, I need to rest. I usually like to step away from the computer (and other glowing screens) and use my time to paint, write, catch up with friends, go places and look around. Sit under a really big flower. Do whatever I need to do to recharge my batteries. 

One of the results of my happily splashing about in stories and paints was the image above. Part of an ongoing series, it emerged in the usual ways — cut paper, monoprint and oils ...first the character and the sketchy background:

And a few quick tests for tonal values and color choices:

And then (as it is summer), I left all methodicalness behind and waded in with my arms flailing. Trial and error, intuition, exploration— a great pleasure, but they are things that I sometimes can't afford when the meter's running and the deadline's looming. Of course the result is never guaranteed, but I liked this one so much I made it into postcards:

Just in time, too—I wanted to mail them out and give them to people I see at events. Which brings me to the SCBWI Conference: the other thing I do to recharge my batteries in the summer. I went to my first one out of curiosity a year ago — with unexpected, life-changing results! And ever since then, I've been going every chance I get. Each time I come away exhausted, happy and inspired—seeing old friends and new, questions/answers/feedback swirling around. Learning learning learning! And above all, the workshops and the talks leave me motivated, stimulated, challenged, and encouraged. And apparently incapable of choosing a single adjective. 

My batteries are now recharged — bring it on!!

PS. You can read more about it on this piece from today's Publishers Weekly, and on the SCBWI Blog (don't miss the clip from the gala party — thousands of illustrators and writers poolside, celebrating Tomie de Paola's birthday!) ... and especially on the SCBWI Conference Blog (where you can find quotes and photos). Enjoy.

Happy what's-left-of-summer....

Honorable mention in the new 3x3!

Breaking news: I am very pleased to announce that one of my illustrations has been awarded an honorable mention in the latest 3x3 Picture Book Show! It's an image from "No Crocodiles in Town", a picture book I'm currently working on.

Detail

Early pencil sketch

I've been absent from this blog the past few months for both good reasons (a fantastic trip to New York, where I met with lots of my favorite publishers, attended the SCBWI Conference and caught up with long-lost friends) ... and for not-so-good reasons (involving hospitals and unbearable dread).  In the midst of it all, I have tried to continue sketching and grappling with new manuscripts.  But this blog fell by the wayside, somewhat :-(  .  Hopefully this won't happen again...

Now that I'm here, I did want to mention—horribly, ludicrously late—that I finally received my copy of 3x3 No. 10, the annual from last year (!!) ... and it's a beaut! Look:

Beautifully printed and hard-bound, it unites work from all three of the shows (Picture Book, Pro, and Student Work) in a single volume. Below is my page, featuring the cover and four spreads from "Crocodile Shoes" (my as-yet-unpublished picture book, discussed ad nauseum on this blog already).

In a happy coincidence, the page next to mine had images by my friend Zack Rock whose new book ("Homer Henry Hudson's Curio Museum") will be published very soon! Go Zack, go! In fact, the whole annual is overflowing with wonderful work, definitely worth a look.

For those of you who are interested, the 3x3 annual No. 10 is available in both print and digital formats — click here to see!

SCBWI Bulletin

I'm very proud to have my illustration on the cover of the current SCBWI Bulletin (January/ February 2014). As always, the requirement is to include within the illustration an image of a kite — the logo of the SCBWI. 

I did a lot of searching and had a lot of different ideas (including giant children in Paris, and even an octopus flying eight kites at once). But once I saw the image of a butterfly-shaped kite, it was suddenly obvious to me that a caterpillar should be flying it. Perfect! Transformation, inspiration and imagination are what children's books are all about!! Now all I have to do is pull it off...

I sent along a few variations of this idea to SCBWI, and we all agreed on the one on the left so I then got to work. After refining the composition and characters, I did a number of color studies, like so:

Once the colors are decided, I can go on to the next steps. My illustrations are done in mixed media, with both hand-painted elements and collage in varying amounts (depending on the subject and on the amount of time). Some collage elements are prepared in advance according to the chosen color scheme, while others are happy accidents. This is true whether I collage with paper ephemera...

...or with monoprints that I make myself— here's a peek at a set of photos showing printmaking in progress.

Once I've printed the monoprint sheets in the colors that I'll be using, then I begin cutting and gluing.  I usually start with the background—

And then I create the characters and foreground elements.  Here's our hero...

...and his faithful sidekick:

As you can see, the individual elements that make up a character (limbs, shoes, clothes, face, hair...) are created separately then assembled. I paint some of the details with acrylics and, after I've glued them all together, I go over it again with an oil glaze to add a bit of dimension and oomph. Sometimes I scratch back in — sgraffito — or even sandpaper it, until it resembles what I have in my mind's eye as much as possible.  Needless to say, it's not an exact science...

Finally, referring to my color study, I assemble the composition as a whole — first gluing the background elements then the foreground ones. In this particular illustration, there was a lot of foreground foliage which framed the image. Some were collaged, and some painted in india ink.  Here's the finished piece:

Voilà!!

PS.  If you're a SCBWI member, you can view the Bulletin online right here. It even includes an interview with yours truly in it!

2014!

2014 already?

A very happy new year to all of you! 

The thought for the day comes from Neil Gaiman, whose new year's wishes are inspiring, energizing and liberating. A teeny snip:

I hope that in this year to come, you make mistakes. 

Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world.  You're doing things you've never done before...

So that's my wish—for you, for all of us and for myself:

Make New Mistakes

Make glorious, amazing mistakes.

Make mistakes nobody's ever made before.

Don't freeze, don't stop, don't worry that it isn't good enough, or it isn't perfect...

Whatever it is you're scared of doing, DO IT.

Make your mistakes, next year and forever...

Year of the Crocodile

Well I never!

I've had a fantastic surprise in my inbox ... the Society of Illustrators has selected four of my images for Illustrators 56. The artwork (from Crocodile Shoes, my unpublished book) will be on show at the Museum of American illustration in New York City starting in early January. I hope to be able to see it in person when I go visit (my first trip back to NY in over a decade—talk about timing!). There will also be a lavishly printed annual, coming out later in the year. More on that soon.

Thank you to the Society of Illustrators, for giving me such a good reason to celebrate on this damp grey weekday (Champagne, and lots of it. You are welcome to join me!!). And congratulations to the other artists selected for this show... a very inspiring lineup indeed.

OK, it's time to get back to work now. Nose to grindstone, shoulder to wheel, eyes front! But you, lovely reader, may want to look at these:

•Charlotte Zolotow (children's author and editor who died a few days ago): remembered here and here

•Masako Kubo making a print (1:35 video) 

•Parov Stelar dancin' up a storm. More happy energy: this is what I'm doing today, between sketching and sipping bubbly!

And now for something completely different

I drew a robot!

I participated in Tom Franck's sketchbook project which has the theme Evil Giant Robots. "Cute" and "friendly" is more my line of country, so the end result is rather like an enormous mechanical clown toy, with just a soupçon of King Kong for good measure.  Scary!

This sketchbook is traveling the world, with contributions by a mix of illustrators, children's book creators, and comic book artists.  There's an enormous variety of participants (drawings by winners of the Caldecott, the Anderson prize and even the Oscar!!)—I saw robots by Jon Klassen, Eliza Wheeler, Dan Yaccarino, Chris Rashka, Mary Azarian, Gary Baseman, Rodolfo Montalvo, and Emily Arnold McCully!  And so many others, including...

Shaun Tan:

Paul O. Zelinsky:

Dan Santat:

... and lovely Molly Idle:

In other news, I am Illustrator of the Day on CIF (Children's Illustrators on Fire), a new-to-me blog. 

(De-activeate your smoke alarms, then go check it out!)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .

PS.  Home-made robot lamps, from Gille Monte Ruici

3x3 Picture Book Show

I seem to be on a roll lately.  First the SCBWI Grand Prize, and now this:

3x3 magazine has decided to include my work in their upcoming Picture Book Annual.  Again!!  A set of five illustrations from my book "Crocodile Shoes" received a Merit award (in the category of Children's Book, unpublished) --above is a little vignette from it. If you'd like to see a few more images from it, click here.

I am thrilled to be included among such wonderful illustrators from all over the world— some very familiar artists, as well as new discoveries whose work I am eager to see.  The annual should be available in a few months time...I am really looking forward to it.

Thanks very much to the judges and to Charles Hively.  And now... I've got to go do some dancin' in the streets!

SCBWI Portfolio Showcase Award!!!

My blog and I are still in summer mode, but I want to poke my head in to say hello....

...and to make a happy announcement: my portfolio won the Grand Prize at the SCBWI* Conference (held in Los Angeles every August). WOW, talk about an unexpected turn of events!!

It is of course a massive honour — and the prize is an all-expense paid trip to New York City, as well as an "Open Sesame" to publishing houses for children's books.  I can't wait!! More on all of this later, of course.

Here is that winning portfolio (btw, it wasn't easy to find a "landscape" oriented portfolio of just the right dimensions—thanks to Juana** for all the great advice!).  It contained 17 images, many of which can be seen on my website, while others have yet to be uploaded... stay tuned!  I also showed a full-colour dummy of Crocodile Shoes (which I both illustrated and wrote). Some images are here and here.

The Portfolio Showcase was held in a huge pavilion/ballroom at the Hyatt in Century City, with hundreds and hundreds of portfolios (and book dummies) all laid out on rows of tables.  A lot of people came to look, as you can see...

A lot of talent under one roof!

Here I am, beaming.

More soon.  Thank you again, SCBWI —I am so delighted!!!

PS.  For my readers in Europe and elsewhere: *SCBWI = "Society of Children's Book Writers and Illustrators".  This organization has chapters all over the world, hosts many interesting events and is regularly present at the Bologna Book Fair. Just sayin'.

PPS. **Juana Martinez Neal is a fantastic illustrator from Arizona by way of Peru.  She was awarded the SCBWI Grand Prize for her portfolio in 2012... and just recently, she did a wonderful cover for the SCBWI Bulletin.  Check her out!

3x3 Directory

I've been meaning to mention...I finally got my copy of ILLO 13 (the 3x3 International Illustration Directory)! I am very pleased to tell you that I have a couple of images in it. My crocodile illustration can be found in the "Animal" section.  

This image is the basis of the endpapers of my children's book project, mentioned previously. (click image for bigness)

And in the "Children" section of the directory is this mouse, forever contemplating the camembert. Some of you might remember seeing her before, here.

You can look at the website: there are a lot of good illustrations to peruse. Then there's a free app, which you can get from iTunes— and that is available to everybody. And, of course, it exists in book form as well. In fact, if you are an art director, editor, graphic designer or art buyer, you can request a free copy.

Here's what it looks like— the cover art is by the Dutch illustrator, Aad Goudappel....

In conclusion, YAY!

Nami Island International Illustration Concours

Good news — my illustrated book project has been selected for the Nambook Festival (aka Nami Island International Illustration Concours) !!  It has to stay under wraps at present, but I can still show you a few glimpses from my selected project.  You'll get a flavour of what I've been up to lately, even though it's out of context.

The Nambook Festival is a yearly children's book event in South Korea, about 70 km south of Seoul on an beautiful tranquil island with groves of giant redwood trees.  Nambook is affiliated with IBBY (the International Board on Books for Young people), as well as being an official sponsor of the Hans Christian Andersen Awards.... presented to the winners each year at the Bologna Book Fair.

The list of winners is pretty impressive—an array of international talent that includes many illustrators who have also been selected for Bologna, Bratislava, 3x3, Ilustrarte, Sàrmede and other places where children's book illustrations are recognized and celebrated.  The grand prix went to the wonderful Korean illustrator Sung-Hee Kim.  A few of the other names that jumped out are:  David Pintor, Eva Montanari, Sonja Danowska, Rashin Kheiriyeh and Irma Gruenholz. And so many others... I'm looking forward to discovering their work!

The illustration exhibit at Nami Island takes place from 25 April to 31 May.  There will be a catalogue/annual of the art show as well.  And if any of you are going to Bologna for the book fair (from 25 to 28 March, in two short weeks from now!), the Nambook Festival has a stand (A36 / H29). Stop by and say hi!

UPDATE:  For those of you going to the Bologna Book Fair, the Nami Illustration Concours will give a brief presentation at the Author's Café on Wednesday 27 March at 16:30 — jury members and illustrators will be on hand for a show-and-tell session. Wish I could be there, too...